The Jungle Book was one of the most impressive films of 2016, and its secrets were recently revealed at the Escape Studios VFX Festival, with MPC's Ben Jones (CG Supervisor) explaining how the London VFX house brought the characters and creatures of this classic tale to life, re-imagining one of the best-loved of the Walt Disney Studio's animated films.
So, how did MPC create this most extraordinarily ambitious movie?
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Monday, 27 February 2017
Wednesday, 22 February 2017
How Do You Get an Animated TV Series to the Screen? Giles Pilbrow Explains
Giles Pilbrow |
Giles also brought the Horrible Histories to TV, and is the creator of the CBBC series Scream Street.
We're hoping that many of our student animators will come along on March 1st and find out how you might get your own animated TV series off the ground.
Tuesday, 21 February 2017
Blue Zoo Animation Masterclass
Blue Zoo have to be creative, efficient, and find ways to stay competitive - even in a high-cost city like London, where rents and wages are much higher than overseas.
They also encourage their staff to get involved creatively, developing in-house projects which can be brought to the screen, and also doing short films - BZ Shorts - within the studio, developing new styles of animation and experimenting with new ways of doing things.
So what are Blue Zoo's secrets for a fast, efficient animation workflow?
Thursday, 9 February 2017
The Animator's Checklist
The Animator's Checklist |
The website is hosted in Spain (but written in English), and has some really useful resources for learning animation.
Tuesday, 7 February 2017
Govt Releases Industrial Strategy Focusing on Creative Industries
Support for "Creative Industries" |
Among these are listed the creative industries, suggesting that our Government will continue to offer support to the business of - among other things - animation and visual effects.
Thursday, 2 February 2017
History of Pixar
Above is an excellent short film about the history of the Pixar studio. It's a promotional piece, but also a great introduction to the history of the modern medium, the second "Golden Age" of animation. Among the impressive insights into the story-telling process at Pixar are John Lasseter suggesting that "every Pixar film at one point in time was the worst motion picture ever made". Why? Because "it's a process". In other words, it's not the doing of the thing, it is the re-doing of it that really counts.
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