Bucks New Uni Masters Animation Reel 2019

We're proud to present the 2019 Buckinghamshire New University Animation Masters' Reel. All the work shown above was completed by our Masters' degree students, who study online at Animation Apprentice, which delivers the practical content for the master's degree at Bucks. Many congratulations to Joe Gamble, Lee Caller, Amedeo Beretta, Jonathan Humphries and Anna Zielinska on their excellent work.

Second Marking with Sydney Padua

Over the Christmas break I have been marking the MA work done by our Master's Degree students at Bucks and, of course, also making sure that the work has been Second Marked.

Second marking at Bucks is part of the process by which we ensure that our academic standards are being rigorously applied. Was the marking fair? Is it reasonable? Were the correct criterial applied?

Looking at your students' work through the eyes of another lecturer is a valuable exercise; it is a reminder of how personal marking can be, and how important it is to apply objective criteria. We don't always get it right, which is why 2nd marking - also known as moderation - is so important.

Why Animators Need Early Feedback

Our online Classroom is hosted at Facebook

One of the hardest skills for animation students to learn is how give and receive criticism.  We all tend to be shy about our work (especially when we are learning something new) and, when our work is criticised, that criticism can feel very personal.

But being able to take criticism ("notes" in the industry) is part of the process of creating great animation. When you first show your work to a client, they will have comments, and they won't always love your first efforts. Whether you're working at a studio, or doing private client work, or just working on your own personal work, animators need to learn to incorporate criticism in order to make your work the best it can be.

Why Animators Need Sound Design

A sound designer at work

Animators need sound design. If you're animating a shot, remember that the visuals are just 50% of the experience; the rest is audio.

Audio is made up of music, sound effects, dialogue and - sometimes - narration.

Occasionally, good sound design means having no sound at all, or very little. But there is usually some work to be done, and animators neglect sound design altogether at their peril.

Andreas Deja, The Lion King, and Animal Locomotion

Andreas Deja and Alex Williams outside the Disney Animation Building

A few weeks ago at Disney in Los Angeles I met up with Andreas Deja, Disney lead animator and the man responsible for bringing "Scar" to life.

I was lucky enough to work on Andreas' team on Lion King back in 1992, when he took me under his wing and helped train me as a Disney animator.

I got to animate a few memorable shots on Scar, but it was Andreas who designed the character and, working with actor Jeremy Irons, gave him life and personality, creating one of Disney's most memorable villains.

Apply Now for Our Online MA in 3D Animation

"School Run" by Bucks student Lee Caller

We are now taking applications for for our online MA in animation, currently enrolling for September 2020.

This online MA is a unique degree which can be undertaken by students anywhere in the world, leading to a formal qualification in the field.

Students learn how to animate to a professional industry standard using Autodesk Maya, the industry-standard software, and also learn to engage with the underpinning theory and structure behind the art form.

Meet The Jelly Cars - by Lee Caller

Bucks New University animation student Lee Caller has recently completed his short film Jelly Cars, a short story about perseverance in the urban jungle.   

"Jelly Cars" is an inventive piece of film-making;  it's a charming story, entertaining and fun - and beautifully animated.

Lee took a simple exercise - animating a vehicle in motion, (in this case, animating a cartoon car, using the free yellow Beetle rig by Aaron Parker), and turned it into a short film, which has already been accepted into its first film festival - the annual KRAF film festival in Croatia.

Congratulations to Lee on his excellent work; we wish him every success in film festivals around the world.

DA702 - Character Perf Module Starts 6 Jan

11 Second Club Entry by Victoria Bailey

Starting in the New Year our masters' students tackle DA702, the second animation module on our online masters' degree in 3D animation. Classes start on 6 January 2020.

The module is titled DA702 - Character Performance, and builds up to an entry into the April 11 Second Club competition.  On April 1st 2020 the line of dialogue will be released, and our students have just under 3 weeks to animate their shots.

What's in a "One Sheet"?

Jelly Cars by MA student Lee Caller

Our Student Animators at Bucks don't just learn animation, they also learn the art and craft of film-making, creating new and original stories for entry into film festivals.

Part of the process of making short animated films at Bucks involves putting together a "One Sheet" to help promote the finished films.

A One Sheet is a movie poster, a single image that encapsulates what the film is all about and entices the audience to want to go and see the film.

Think of the posters you see on the wall as you leave your movie theatre. You walk down a hallway, past a wall of posters, and you think: "that movie looks cool, I might just go and see that".

So what's in a One Sheet? And how do our students go about making one?

Miles Skarin Animator at Crystal Spotlight

Animation image by Miles Skarin

Bucks animation graduate Miles Skarin founded the animaton company Crystal Spotlight with his brother Rob when he was still a first year animator at Bucks New Uni.

From the beginning, Miles and Rob were tackling professional freelance work, creating websites and animation for musicians, bands, and record labels.

Crystal Spotlight has an impressive client list - including major artists such as Jethro Tull.

Bucks New Uni Students Study at Pinewood

Pinewood Studios

Bucks New Uni undergraduate film & TV (including animation) students are benefiting from a new partnership with Creative Media Skills (CMS) at Pinewood Studios.

We're delighted to be able to offer a meaningful industry partnership that allows our students to get access to one of the world's leading film studios during their studies at Bucks. 

Roger Rabbit Reunion at Disney

Doy, Alex, Nik Ranieri, Ross Anderson, Burny Mattinson, Max Howard, Charles Fleischer, Andreas Deja

Who Framed Roger Rabbit was released in the summer of 1988, making the movie 31 years old this year.  Last week at Disney in Los Angeles we had an informal reunion with some the people who worked at the film, hosted in the Rotunda Building by Disney marketing head Howard Green.  Lead animator Andreas Deja was there, as well as Burny Mattinson, officially the longest serving employee of The Walt Disney Company,  Producer Max Howard, Charles Fleischer, the voice of Roger Rabbit, Ross Anderson, who has written the history of the film, animator Nik Ranieri, and me.

The VFX Festival is Back: 16-18 March 2020

The VFX Festival is back. The annual festival hosted by Escape Studios is returning to London from 16-18 March 2020.  As in previous years, the festival hosts industry speakers to come and talk about the latest developments in Animation, Games and VFX.  In 2020, the festival will focus on discovering and developing new and emerging talent.  Two parts of The VFX Festival 2020 - EDU and Emerging Talent - will take place on 16 - 18 March at the Southbank Centre - the UK’s largest arts centre on the South Bank of the Thames.

Animators Always Start With a Story

Animators are story tellers. Every animation should have an idea behind it, one that tells a story.

Junior animators focus on learning technique - and technique is very important. But it is also important to think carefully about the story behind your shot.

Who is your character, and why are they doing what they are doing?  What is the scene about? What do they want, and what do they fear?  These things are important because if your shots forms part of an interesting story, it will be much more interesting to watch.

Dream On, Silly Dreamer

Dream On Silly Dreamer is a film that should be watched by anyone interested in the history of the Disney Studio. Like "Waking Sleeping Beauty", the film that closed out this year's CTN Expo, it chronicles the rise - and eventual fall - of 2D animation in the 1980s and 1990s.  The story is told through interviews with the artists involved, including Disney legends such as Andreas Deja, the creator of Disney characters such as Scar (Lion King) and Jafar (Aladdin).

Royce Wesley and the Pixar Workflow

Incredibles 2

Pixar animator Royce Wesley was in London recently, talking about his experience working on Incredibles 2, and also explaining his own personal animation workflow.

Royce is an experienced character animator whose animation credits include Brave, Coco, Robots and Inside Out. He visited us in London to mentor our animation students and help make sure we are hitting the highest levels of quality in character animation.

Understanding how to plan your work is one of the key parts of the animator's skill set. Every animator has their own unique approach, and it's important to develop a workflow that you can rely on to get your shots approved without too much stress.

Blue Zoo and Real Time Rendering with Unreal

Blue Zoo's Tom Box at BlueGFX Expo

Blue Zoo's Tom Box explained the Blue "real-time animation pipeline" at the recent BlueGFX Expo in London, exploring new ways to speed up the animation process.

Tom described Blue Zoo as a studio that, since its inception, has "refused to accept industry standards", and has forged its own path in the industry.

Recently Blue Zoo have been pioneering the use of real-time rendering using Unreal Engine - trying to find ways to make the production process faster and more efficient. 

Tribute to Richard Williams on Saturday

CTN Expo in Burbank, Los Angeles, is hosting a tribute to my father, the animator Richard Williams on Saturday November 23rd.

The tribute is titled "Life is on Ones", and the panel is being hosted by my old friend and colleague Tom Sito, who is an animator, director and professor - as well as the author of many books on animation. 

How to Get Ahead in Animation - Tonight

Tonight in London the Royal Television Society (RTS) are hosting a free event titled "How To Get Ahead in Animation".

A panel of animators will discuss the wide variety of options open to those with a passion for animation.

Members of the panel during this event will share stories of their careers, the highs points (and the low points) and how to land that crucial first job in the industry.  To book your free place visit https://rts.org.uk/event/how-get-ahead-animation for more details.

Stratostorm Studios in London Tomorrow Night

Tomorrow night in London the founders of Stratostorm are making a presentation about the creation of their award-winning animation company.

The event takes place at Escape Studios, and is completely free. As always, we recommend our students attend events like this one; it is a great opportunity to find out how the industry works and also develop industry contacts.

Secrets of the Spider-Verse at VIEW

Peter Ramsay at VIEW: Into the Spider-Verse

One of the main highlights of the recent VIEW conference in Turin, Italy, was a talk by Peter Ramsey, co-director of Spiderman – Into The Spider-Verse.

Ramsay's talk was sub-titled “What Story are You Telling?”, and he showed the audience how the answer to that question informed every frame and every pixel of the Oscar and BAFTA winning movie.

Spiderman – Into The Spider-Verse re-invented the Spiderman franchise, and achieved a unique comic book-style look for the world of Spiderman.  How did they do it?