Showing posts with label Producing Animation. Show all posts
Showing posts with label Producing Animation. Show all posts

Wednesday, 19 February 2020

Pitch Your Project at APD - Enter by Tomorrow

Animation Production Days in Stuttgart is an event that should be on every animator's radar.

Like Cartoon Movie and Cartoon Forum, APD offers a unique opportunity for animation graduates to pitch their ideas to producers, financiers and sales agents - the people who can bring original animation content to the market. But hurry - submissions close tomorrow.

Monday, 20 August 2018

Producing Animation Webinar Wed 23 August

Learn from the producer of Ultramarines
Veteran animation Producer Bob Thompson is hosting a webinar on Producing Animation on Wednesday 23 August.

The webinar, which is completely free, is titled "An Artist's guide to Animation Producers".  

Bob Thompson is an industry veteran with a long and successful track record of producing animated feature films, commercials and VFX projects, including Ultramarines and the Bionicle series.

The purpose of the webinar is to introduce artists to the business side of animation, which artists often don't understand, or tend to ignore.

But a good artist needs to get the business side of animation. After all, producers need artists who can be relied upon to deliver quality work, on time and on budget.
 

Monday, 20 July 2015

David Thompson Explains How to Produce Movies

David Thompson at BAFTA
BAFTA recently held a series of lectures and masterclasses on film production, welcoming members of the public to hear industry professionals give lectures on all aspects of the business.  One of the best presentations was a talk by David Thompson, formerly head of films and single drama at BBC, and a producer with a clutch of BAFTAs and Golden Globes on his shelf. Most importantly, he has over 100 screen credits, including Billy Elliot and Mandela. Here at Bucks we recommend that all our students attend industry events like this whenever possible. You never know who you will meet, and what you will learn about the way the industry actually works.

Tuesday, 19 May 2015

Reminder - Producing Animation Workshop with Steve Burch on Tuesday 26 May!

Steve Burch
Don't forget! On Tuesday 26 May we welcome Steve Burch visit Bucks for a lecture and workshop on Producing Animation.  Steve has 26 years experience in the animation industry, having worked on around dozen animated features including Brad Bird’s The Iron Giant.  His roles have included Special Effects Supervisor for Dreamworks and Warner Bros Feature Animation. Steve has worked with three Oscar winning directors and has produced and directed many commercials and animated shorts. So, what can our students expect on Tuesday?

Monday, 13 April 2015

Steve Burch Brings Producing Animation Workshop to Bucks on Monday 26 May

Steve Burch
On Monday 26 May we again welcome Steve Burch visit Bucks for a lecture and workshop on Producing Animation.  Steve has 26 years experience in the industry, having worked on around dozen animated features in Hollywood and Europe, including Brad Bird’s modern classic The Iron Giant. His roles have included Special Effects Supervisor for Dreamworks and Warner Brothers feature films. Steve has worked with three Oscar winning directors and has produced and directed many commercials and animated shorts.

Thursday, 28 August 2014

Zahra Dowlatabadi Explains How to Produce Animation

Zahra Dowlatabadi is an animation producer who literally wrote the book - "Producing animation" - co-authored with Catherine Winder and edited by Tracey Miller-Zarneke. In this recent interview  at our sister blog FLiP, Zahra talked about her book and what lies behind a good producer of animation.

Tuesday, 22 July 2014

Max Howard Teaches our Students How to Produce a Hollywood Movie

Max Howard and Bucks animation students. From left: Felix Deacon, Ellouise Benjamin, James Hatton, Jack Copley, Max Howard, Kalim Momen, Alex Williams, Georgia Nichols, Anton Alfimenko, Ben Gray
Earlier this year Producer Max Howard came to Bucks to talk about how to produce an independent animated film.  He talked in detail about how films get financed, walking our students through all the steps necessary to get a film off the ground and into theatres. With a wealth of experience at major Hollywood Studios, and also with a number of independent animated features under his belt (plus one coming out this year - The Hero of Colour City - there are few producers better qualified to explain how the system actually works.

Sunday, 20 July 2014

"Charlie & Yip" wins Best Animation at the British Animation Film Festival

Charlie and Yip
"Charlie & Yip", a short film directed by Bucks animation tutor Alex Williams, and animated by Tumblehead Animation in Denmark, has just won Best Animation at the 2014 British Animation Film Festival. The short was screened on June 8 in London at the Empire Leicester Square, competing with dozens of other shorts in three successive screenings over the course of the day.

Monday, 14 April 2014

Steve Burch Reveals the Mysteries of Producing Animation

Animation Producer Steve Burch
Animation Producer Steve Burch visited Bucks recently to talk to our students about the business of producing animation. It was an excellent talk, well structured and clear, and offered an insight into the challenges of successfully bidding on, winning - and delivering - freelance animation jobs.

Many universities talk about employability; here at Bucks we are trying to deliver on that promise by preparing our students not just to be employees but also entrepreneurs, working from home and in small groups on their own projects, and perhaps - who knows - even building the next big animation studio in the UK.

After all, Blue Zoo was founded by a group of animation graduates fresh from university - why shouldn't our students do the same?

Friday, 28 March 2014

What Does a Producer Do, Exactly?

Jeffrey Katzenberg - the uber producer
What does a producer do, exactly? This is an important question for anyone who hopes to go into the entertainment business. Here at Bucks we teach students to animate. We teach art, design, computer skills, everything you need to become a digital artist. But we don't teach producing. As a result, most of our students have only a slender grasp of what actually is involved in producing a project. Arguably, we should teach producing. After all, when you go to the movies and watch the credits, there seem to be a lot of producers. And also sub-species of producer. Like associate producers. And executive producers. And line producers. And creative producers. And what do all these titles mean anyway?

Wednesday, 26 March 2014

Steve Burch on Producing Animation

Steve Burch

On Monday 31 March we are fortunate to have Steve Burch visit Bucks for a lecture and workshop on Producing Animation. Steve has 26 years experience in the industry, having worked on 11 animated features in Hollywood and Europe including Brad Bird’s modern classic The Iron Giant. His roles have included Special Effects Supervisor for Dreamworks and Warner Brothers feature films. Steve has worked with three Oscar winning directors and has produced and directed many commercials and animated shorts.

Tuesday, 17 December 2013

What Exactly Does a Visual Effects Producer Do?


Here at Bucks we teach the craft of animation and visual effects. One thing we don't teach (but perhaps should) is how to be a producer. Producers are vital to any production. They are organisers, leaders, people who make stuff happen. While the rest of us collect a paycheck, producers are out there beating the pavement, pitching, bidding, and raising money.

Below is an interview with VFX Producer Martin Gabriel, reprinted from Alex's blog FLIP. It's one of FLIP's most popular posts ever, probably because it explains the workings of a job that is, to non-producers, somewhat mysterious. So, if you've very wondered how the VFX industry really works, read on, and get educated.

Tuesday, 19 November 2013

Seven Rules to Make a Group Project Work


Group projects always sound like a great idea, in theory. In practice, things rarely go to plan. Why do they go wrong?  Usually it's due to a lack of individual responsibility. Everyone in your group will tend to think that, where there's a job to be done, someone else will do it. The result is paralysis - nothing happens.

This is a problem for all group projects, and students film projects are no exception. So, save yourself some pain and heartache by following this step-by-step guide to making a group project work. These are the rules to live by.