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| Venom |
Troy was my animation director on "Monster House", way back in 2005, so it was a pleasure for me to see him again, and welcome him to London, where he is now working for DNeg in Soho.
Troy's talk was a masterclass in how animators work alongside VFX artists on FX-heavy films, where the final result, with all the FX work added, can often look quite different to the animator's initial keyframe animation.
The result is that, on films like Venom, animation and FX are heavily interlaced, requiring careful collaboration between departments, and plenty of back-and-forth to get the right final result.
