Wednesday, 31 January 2018

UCAS Deadline - 15 January?

UCAS - still enough time left - but hurry!
Thinking of applying to Bucks to study a BA in Animation & Visual Effects, or for our unique Online MA in 3D animation - the only one of its kind? It's not too late!

The UCAS deadline for undergraduate study (that's the BA course) was 15 January, but we are sill welcoming applications from talented students even past the official deadline.

Below are some good reasons why we believe we are building one of the best places to study animation in the country, and how you can get started on your new career as a digital animator

Tuesday, 30 January 2018

Why NDAs Matter

23 year old digital artist Joel Butcher was recently sued for contempt of court by his employer, the Soho-based VFX house Double Negative.

Butcher, like all VFX artists working for the company, had signed an NDA (Non-disclosure agreement) stating that, among other things, he would not upload confidential materials to the internet.  Unfortunately, Butcher shared some of the footage he was working on with a friend who - apparently without his knowledge - posted the footage online.

Sunday, 28 January 2018

50 Ways to Sit by Kevin Parry



50 Ways to Sit by Kevin Parry follows on from 100 Ways to Walk, an inventive and clever imagining on the many different ways in which people move, and what this tells us about their character and personality. 50 Ways to Sit takes the same idea, and shows how much variation there in the way that different people might carry out a normal, simple action, like sitting down. It also shows how important it is for animators to get used to acting out their shots, filming themselves, and then using the footage as reference for their work. It's one of the most important, and least well understood, parts of the animation process.

Friday, 26 January 2018

Back Up Your Data!

Hard Drive - full of moving parts
There are few things more depressing than being told by a student that their hard drive has died, and they have lost all their work.

Losing your data means starting afresh, going back to the beginning to start again the long, slow slog of building up a demo reel.  It's hard to over-stress the importance of backing up your data. It's a pain in the neck, and it takes time, but never forget that a hard drive is a delicate piece of technology filled with vulnerable moving parts.

Hard drives don't last for ever and, like all tech, will (eventually) let you down. The secret is to back up your data. But how best to do this? We take a quick look at some of the options.

Tuesday, 23 January 2018

Craimer Jones CG Modeller at Burrows

Many congratulations to Bucks Animation Graduate Craimer Jones, who has recently started a new job as a CGI Data Modeller Specialist at Burrows.

Craimer studied Animation and Visual Effects at Bucks, successfully creating an industry-ready portfolio of quality work, which has now been rewarded with a career in the creative industries.  

Friday, 5 January 2018

Wolfdog Rig - Free Animation Rig

Wolfdog
We're liking this Wolfdog rig, available for free download from highend3d.com. Wolfdog is loosely based on the character Balto from the movie, and has a good range of controls and even facial expressions.

The rig does have some limitations, especially in the way the wrists and feet have been rigged, but you can get some really nice character work out of Wolf dog.

Wednesday, 20 December 2017

2018 VFX Festival Lineup

Escape Studios' annual VFX Festival takes place in February 2018.  As in previous years, Escape has got some great speakers coming to talk about the latest developments in Animation, Games and VFX.

Here at Bucks we strongly recommend our students attend events like this one. It's a great way to find out what's going on in our industry and, best of all, to meet the recruiters from London's leading animation and VFX houses. Below are some of the VFX, games and animation companies who will be speaking in February.

Wednesday, 13 December 2017

Free Horse Rig for Maya Animators

horse rig by Motorman TD
We're liking this horse rig available for free download from the Mothman TD website.

It's an excellent choice for animating quadruped locomotion, a useful alternative to the (also very good) Rhett the Clydesdale rig.

So, how can our students get the most out of this rig?

Friday, 1 December 2017

London International Animation Festival Now On

The London International Animation Festival (LIAF), the UK’s largest animation festival, returns for its 14th year with a series of screenings of the best shorts and features, both domestic and international, including children’s screenings and the Best of the Fest.

Thursday, 16 November 2017

Archie Dennis at Double Negative

Many congratulations to Bucks alumnus Archie Dennis, who recently graduated from Bucks with a First Class Degree in Animation & Visual Effects.

After polishing his demo reel and applying for various jobs, Archie secured a position as a runner at London based VFX giant Double Negative. DNeg are the largest vendors of visual effects in Europe and their London studio can house over 1000 artists. We asked Archie to talk a little about his new job and how it came about.

Tuesday, 14 November 2017

Panel Forge Pro - Free Storyboard Software

At last week's Blue GFX Expo, Blue Zoo’s Tom Box announced that Panel Forge Pro, their new storyboard and pipeline tool, is now available for free for student use.

Panel Forge Pro, extensively tested at Blue Zoo on Miffy the Rabbit and Digby Dragon, makes use of 3D Layouts to save time in Storyboarding, allowing board artists to use low resolution 3D assets to help set up camera angles and layouts.  Good news then for storyboard artists, who can now learn to use this new software for free.

Friday, 3 November 2017

How to Reach Animation Recruiters

VIEW panel. From left: Amy Smith, Giorgio Xhaxho, Alex Williams, Tiffany Feeney, Angie Wojak

What do Animation recruiters look for from recent graduates?  How do they find fresh talent? At last week's VIEW conference in Turin I was invited onto a recruitment panel hosted by New York's School of Visual Arts (SVA). Also on the panel were two recruiters, Amy Smith from Framestore and Tiffany Feeney of Talent Outpost, an independent recruitment agency based in Switzerland.  Both of them had a lot to say on the subject of student demo reels. But most of all, it turns out that recruiters want one thing from animation graduates...

Friday, 27 October 2017

Sydney Padua at the Natural History Museum

Animating Nature by Sydney Padua
Bucks Animation lecturer Sydney Padua is giving a talk today at the Natural History Museum in London.  Sydney Padua is an accomplished animator, graphic novelist (The Thrilling Adventures of Lovelace and Babbage) and, of course, an animation teacher.

Sydney’s work has covered many formats including feature films and graphic novels. Join her today in London at the Natural History Museum from 6.30 to 9.30 pm for an interactive demonstration of the art of animation in the Images of Nature gallery. You can sign up for this free event here.

Wednesday, 25 October 2017

How Pixar Light a Movie

Kim White, Director of Photography on Cars 3
At this week's VIEW Conference in Turin, Cars 3 Director of Photography Kim White talked about the challenges involved in lighting a Pixar film.

As you'd expect, lighting a Pixar movie isn't just about technical skill - it's about helping to tell the story, supporting the narrative and solving visual problems along the way.

As Pixar movies get more and more realistic in their visualisation, the lighting department has had to draw on sophisticated reference and resources to make their work believable.

Wednesday, 11 October 2017

16th Annual VES Awards Now Open

The 16th Annual VES Awards are now taking entries. Here at Bucks we encourage all our students to enter Category 23: Outstanding Visual Effects in a Student Project. 

The award is sponsored by Autodesk, who make Maya, the leading animation and VFX software, and is a great opportunity for any ambitious student to kick-start their career.

Friday, 6 October 2017

BAA! Deadline: 13th October

British Animation Awards
It's time for our students and recent graduates to get ready for the British Animation Awards 2018. The awards come around every two years, and this year the ceremony will take place on March 15th 2018, at the BFI Southbank.

The British Animation Awards (BAA) invites all kinds of animation submissions, from student work to commercials, children’s entertainment, short films, experimental films, music videos and new technologies.

If you've done some animation, there's a category for you. And yes, there is a category for student films, and admission is free.  But don't wait - the deadline is friday 13th October.

Friday, 29 September 2017

Cinesite's Eamonn Butler in London 4th October

Eamonn Butler, head of animation at Cinesite, will be giving a talk at Escape Studios' High Holborn Campus in Central London on wednesday 4th October.

Eamonn is a director of Cinesite, one of London's major VFX houses, and a founder of the growing animated features side of the business. The event is hosted by Escape Studios and is free for anyone interested in studying with them (no commitment is required).

Here at Bucks we strongly recommend that all our students and recent graduates attend events like this one. This is a great chance to meet one of the major players in our industry.

Thursday, 21 September 2017

Access VFX in London Next Week

Access:VFX events are taking place next week, at visual effects studios across Soho. Access VFX is all about promoting diversity and inclusion in our industry.

Events are taking place at Framestore, Double Negative, MPC, Jellyfish Pictures, ILM, Blue Zoo Animation, Union VFX, Escape Technology, and UK Screen Alliance.

We're encouraging our students and recent graduates to attend these events; you can book your free tickets online through http://www.accessvfx.org/.

Wednesday, 20 September 2017

Why Does Maya Batch Render Too Dark?

Utah Teapot
Lighting your scene using Autodesk Maya can be a tricky process. You get your lights to look just the way you want them to, and when you render out a single frame, everything looks fine.

But then, when you come to do a Batch Render of your final frames, Maya gives you a very different result - the images look much darker. Which is not what you wanted at all.

So why does Maya do this - and what is the solution?

Tuesday, 19 September 2017

How To Get The Classic Graph Editor Back

New look Graph Editor
Not everyone is a fan of the Maya 2017 interface. In particular, the new-look Graph Editor isn't necessarily as easy to use as the old version.

Fortunately, it isn't difficult to get the Classic Graph Editor back.